kimi malka hanauer is an artist, publisher, and writer based on lenape land (brooklyn, ny). 














hey, welcome to my studio index; selected projects, 
publications, and initiatives are archived below.

















projects / spaces




an everyday archive of time stolen back, 2025 (forthcoming)
there / is / only / now (tomorrow is cancelled), Whitney ISP, 2024
how is speech a desire a hope a promise
Wagner Arts Gallery, 2024
there / is / only / now + neighbor histories library, Center for Art, Research, and Alliances, 2024
if we choose to reclaim ourselves from the ashes University of California, Los Angeles, 2022
how is speech a desire a hope a promise
Southern Exposure, 2021
are you still here (mourning) with me? (eulogy), University of California, Los Angeles, 2022
Center Temporary Headquarters, Southern Exposure, 2021
You, Stranger, May I be your Kin? the Terms of my Death, in Perpetuity, Mandeville Art Gallery, 2023
Scaffolding / Becoming / Ungovernable / Autonomies, X-TRA, ICA LA, Printed Matter + Geffen Contemporary, August 2023
Poetry for Persistence
Press Press + Printed Matter, 2020
bless our breath, Gas Gallery, 2021
Invisible Power , University of California, Los Angeles, 2019
Calling all Denizens: Resource Book
Women’s Studio Workshop, 2019
A Press Press Chronicle, Institute for Expanded Research, 2019
Calling all Denizens
Tufts University Art Galleries, 2019
Sanctuary is on the Horizon by Press Press, 
Printed Matter NY Art Book Fair + MoMA PS1, 2018
Sanctuary is on the Horizon by Press Press
Tufts University Art Galleries, 2019
All Allegiance 
Front/Space, 2017
Paradise Now
Penthouse Gallery, 2016
Visa Project (with Lian Tsai)
Penthouse Gallery, 2015
Baltimore Uprising Archive
Maryland Institute College of Art, 2015
Press Press Youth Program,
Baltimore City Community College Refugee Youth Project, 2014 – 2018
Press Press Storefront + Library
2016 – 2020
Penthouse Gallery
2011 – 2016
Alloverstreet, 2013 – 2017

writing / editing / publishing




an everyday archive of time stolen back, Post/Doc, Vera List Center for Art and Politics, 2025
one final dance; in loving destruction; the coalition emerges, Encyclopedia of Radical Helping, Thick Press, 2024
Commune Diverge Shift Connect: Press Press’s Organizational Handbook, Institute for Expanded Research, 2024
how is speech a desire a hope a promise, Wagner Arts, 2024
a forever and lasting thing, Whitney Independent Study Program, 2024
Weaving our Values & Practices, Center for Liberatory Practice & Poetry + MARCH, 2022

Toolkit for Cooperative, Collective, & Collaborative Cultural Work, Press Press + Institute for Expanded Research, 2020


i am / we are / are we / all fools, Widgets etc., 2023  
Build Your Own Toolkit with Lu Zhang, Arts of the Working Class, 2021
bless our breath, Gas Gallery, 2021
Parsing our Exits as Care: Queer Funerals and Post Life Practicalities by Emary Parisi, Center for Liberatory Practice & Poetry, 2021
where will we make our burial?, 2023
This is the oppressor’s language, 2019
Peer Review: Readings Rooms & Libraries, Press Press and Wendy’s Subway, 2019
Calling all Denizens, Press Press and Women’s Studio Workshop, 2019
Invisible Power, GenderFail, 2020 
Sanctuary is on the Horizon, Press Press, 2018
Sentiments: Expressions of Cultural Passage, Press Press, 2018
An Alien’s Sign with Joseph Lee, Sentiments: Conversations, Press Press, 2017
Are Museums Obsolete? with Bilphena Decontee Yahwon, Lo, and Vale Cabezas, Press Press, 2020
A Tender Talk with Shan Wallace, Iris Lee, and Jenna Porter, Press Press and Temporary Art Review, 2017
Poetry for Persistence, Press Press and Printed Matter, 2020
I Am Your Child, but I Am Not You with Umico Niwa, Sentiments: Conversations, Press Press, 2017
The Making of: Publics + Liberation, Press Press, 2017
Work Work by HH Hiaassan, Press Press, 2017
Human Rights Manifesto by Refugee Youth Project, Press Press, 2017
Baltimore Queer Paper by Jamie Grace Alexander, 2020, Press Press
Paradise Now, University of Maryland and Press Press, 2017
Blobworks: Vision of Contemporary Art + Practice, Press Press, 2015
My People are Open to Movement with Kearra Amaya Gopee, Sentiments: Conversations, Press Press, 2017
As of a Now by Elissa Blount Moorhead, Press Press, 2016
Real Real Txtbooks, Press Press, 2016–17
P is for Pussy by Taya Hanauer, Press Press, 2017
If I Ruled the World, Press Press, 2016
Artifact #2: Nylon Pool by Kearra Amaya Gopee, Press Press, 2017
100% Yes Manifesto, Refugee Youth Project, Press Press, 2015
Chilly Smart Model by Refugee Youth Project, Press Press, 2015
Megaphone! Megaphone! by Marcus Civin, Press Press, 2016
Rituals and the Docile Body by Dafna Rehavia, Press Press 2016
Alloverstreet Archives, Press Press, 2013–16
Banned Books Series, Press Press, 2014
Baltimore Uprising Archive, Press Press, 2015
Visa Project with Lian Tsai, Press Press, 2016

teaching




Pratt Institute; 2023 – Present 
[selected syllabi; email me for copies]















Virginia Commonwealth University; 
2021 – 2023[selected syllabi; email me for copies] 








Undisciplined and Perpetually Getting in the Way
graduate seminar 
Ungovernable Study: Research-Based Practices
undergraduate seminar 
MFA Thesis 
graduate studio 
Dis/Assembly Lab [co-developed with Asad Pervais]
graduate studio   
Rebellious Publishing
undergraduate studio 
Design as a Social Practice
undergraduate studio   


Straining Letters into Noise
undergraduate seminar   
Ecosystems and Power  
undergraduate studio   
Landscapes of Belonging
graduate seminar 
Intro to Distributed Print
foundations intensive 


workshops



Press Press, 2014 – Present 
[selected workshops; email me for plans]





Center for Liberatory Practice & Poetry, 2021 – Present 
[selected workshops; email me for plans]











Sanctuary is on the Horizon
co-hosed with Wendy’s Subway, Chicago Art Book Fair, and Pioneer Works
Collective Work Skill Share: Making a Toolkit 
co-hosted with Institute for Expanded Research


Becoming Ungovernable: Tactics for Rebellious Publishing
co-hosted with X-TRA Magazine, Active Cultures, and Printed Matter at the Geffen Contemporary at MOCA  
Scaffolding Autonomies: Scores for Daily Rehearsal
co-hosted with ICA Los Angeles and Printed Matter  
Uses of Memory with Archive Liberia
co-hosted with De-colonial Feminist Collective and Vox Populi 
Weaving our Values & Practices
facilitated for Design Justice Network Care Pod, A Blade of Grass, Curationist 
Bless our Breath 
co-hosted with Gas Gallery
  

about



practice



As an artist, publisher, facilitator, and writer, I cultivate poetic and material interventions into the banal, daily, and intimate operations of imperial fields of power. [1] Through various responsive forms, such as organizations, installations, texts, videos, programs and printed matter, I iterate methods and resources for scaffolding autonomous communities. Feminist, queer, anarchist, and abolitionist frameworks offer me a horizon, while my lived and familial traditions of migration, cultural displacement and legacies of exile offer me a ground. In surfacing that which statist politics suppress, my research stretches forward and backward in time to rewrite possibilities for life-sustaining practices in the present.

Emerging through the ethos of independent publishing, my projects often appropriate mass printing technologies, such as copy machines, risographs, and offset printers, as methods of organizing counterpublics through the distribution of printed and digital matter. The act of distribution, which unravels across space and through intimate networks of relationships, intervenes on and blurs boundaries of “public” and “private.” While emphasizing the intimacy of insurgent modes of address, I am invested in reconfiguring and disordering confines of “permissible” speech and “plausible” worlds.

The most meaningful sites of my work take place in daily encounters and events of life where intimacies, ruptures, and solidarities are nourished. In these contexts, I craft containers for shared study that foreground questions of belonging in legal, social, and psychological spheres. By gathering with those who diverge from normative linguistic traditions to reclaim speech on their/our own terms, I aim to transform language into a location of healing. Ultimately, my practice aims to engage continued and irresolvable attempts at accounting for recurrent moments of original violence. I regard these attempts, alongside the collectivities and contexts they act in concert with, as an unstable ground where other worlds could also grow.



[1] ‘Imperial fields of power’ is a phrase that emerges from my ongoing shared study with Katie Giritlian and our project, ‘neighbor histories.’ Together, we write: “Working with lineage as a point of departure, ‘neighbor histories’ attempts to potentialize modes of being, relating, and sharing that unsettle imperial fields of power.”

bio


kimi malka hanauer (they, also Kimi Hanauer) is an artist, publisher, facilitator, and writer. kimi is a founding collective member of publishing initiative, Press Press (est. 2014), and steward of nomadic political education school, Center for Liberatory Practice & Poetry (est. 2021). In their practice, Kimi cultivates poetic and material interventions into the intimate operations of imperial fields of power.* Through various responsive forms, such as organizations, installations, texts, videos, programs and printed matter, they iterate methods and resources for scaffolding autonomous communities.

As an assistant professor at Pratt Institute’s Graduate and Undergraduate Communication Design Departments, kimi teaches courses in independent publishing, critical theory, writing, research-based and collective practices. Informed by anarchist and abolitionist frameworks, their work as a facilitator and educator aims to deepen our capacities for collective life-sustaining practices. Currently, they are a research faculty fellow with Pratt’s Center for Teaching and Learning.  

kimi was a studio fellow at the Whitney Independent Study Program (’24), earned an MFA in Interdisciplinary Studio from the University of California, Los Angeles (’21), and a BFA in Interdisciplinary Sculpture and concentrated work in Printmaking from the Maryland Institute College of Art (’15). Kimi was born in Tel Aviv–Yafo, raised in Pittsburgh, and calls Baltimore home. They are a queer and neurodivergent diasporan; descendant of sephardi and ashkenazi Andalusian, Palestinian, and European Jews. They live in Brooklyn, NY on unceded Lenape Land.



kimi’s work is archived in the public collections of the Museum of Modern Art, the Brooklyn Museum, the Metropolitan Museum, the Whitney Museum of American Art, The San Francisco Museum of Modern Art, the Library of Congress, Yale University Library, George Peabody Library, John M. Flaxman Library at the School of the Art Institute of Chicago, Art Center College of Design Art Library, Virginia Commonwealth University Special Collections, among others.

kimi’s work has been exhibited at  Westbeth Gallery (2024), the Mandeville Art Gallery at the University of California, San Diego (2023), Vox Populi (2023), the Sarofim School of Fine Arts Gallery at Southwestern University (2023), Lainer Family Gallery at the University of California, Los Angeles (2022), Southern Exposure (2021), Gas Gallery (2021), Printed Matter (2020), Counterpublic (2019), Tufts University Art Galleries (2019 + 2024), George Peabody Library (2019), ACRE Projects (2018), MoMA PS1 (2018), among others.  

kimi has facilitated public programs at conferences and art institutions including the Allied Media Conference, UCLA Center for the Study of Women’s Thinking Gender Conference, Common Field Convening, Open Engagement, Art & Feminism, Contemporary Artist Books Conference, Printed Matter Art Book Fair, Center for Book Arts, Pioneer Works, Knockdown Center, Virtual Care Lab, X-TRA, Active Cultures, ICA Los Angeles, ICA at Virginia Commonwealth University, Center for Art, Research, and Alliances (CARA), the Geffen Contemporary at MOCA, among others. kimi has lectured widely at universities including at University of California Berkeley, Yale University, California College for the Arts, Rhode Island School of Design, American University, Ithaca College, School of the Art Institute of Chicago, Antioch University, Tufts University, Maryland Institute College of Art and was formerly an Assistant Professor at Virginia Commonwealth University.

They have been published by the Women’s Studio Workshop, GenderFail, Wendy’s Subway, Temporary Art Review, Arts of the Working Class, BmoreArt, MARCH, Thick Press, Institute for Expanded Research, and the Contemporary (Baltimore).

kimi is the recipient of grants and awards including the Artist Choice Award from Ruth Arts for Press Press (2024), the Lightening Fund Grant by the Andy Warhol Foundation and Los Angeles Contemporary Exhibitions (LACE) (2023), Virginia Commonwealth University Research Grant (2023), Louis Vidal Foundation (2021), the Robert W. Deutsch Foundation (2018), the Ruby’s Artist Grants (2017), the Grit Fund by the Andy Warhol Foundation and the Contemporary Museum (2016), the Fred Lazarus Social Change Award (2015), among others.