hey, welcome to my studio index; selected projects,
publications, and initiatives are archived below.
projects / spaces
an everyday archive of time stolen back, 2025 (forthcoming) there / is / only / now (tomorrow is cancelled), Whitney ISP, 2024 how is speech a desire a hope a promise
Wagner Arts Gallery, 2024
there / is / only / now + neighbor histories library, Center for Art, Research, and Alliances, 2024
if we choose to reclaim ourselves from the ashes University of California, Los Angeles, 2022 how is speech a desire a hope a promise
Southern Exposure, 2021
are you still here (mourning) with me? (eulogy), University of California, Los Angeles, 2022 Center Temporary Headquarters, Southern Exposure, 2021 You, Stranger, May I be your Kin? the Terms of my Death, in Perpetuity, Mandeville Art Gallery, 2023
Scaffolding / Becoming / Ungovernable / Autonomies, X-TRA, ICA LA, Printed Matter + Geffen Contemporary, August 2023 Poetry for Persistence
Press Press + Printed Matter, 2020 bless our breath, Gas Gallery, 2021 Invisible Power
, University of California, Los Angeles, 2019 Calling all Denizens: Resource Book
Women’s Studio Workshop, 2019 A Press Press Chronicle, Institute for Expanded Research, 2019 Calling all Denizens
Tufts University Art Galleries, 2019
Sanctuary is on the Horizon by Press Press,
Printed Matter NY Art Book Fair + MoMA PS1, 2018 Sanctuary is on the Horizon by Press Press
Tufts University Art Galleries, 2019
All Allegiance
Front/Space, 2017
Paradise Now
Penthouse Gallery, 2016
Visa Project (with Lian Tsai)
Penthouse Gallery, 2015
Baltimore Uprising Archive
Maryland Institute College of Art, 2015
Press Press Youth Program,
Baltimore City Community College Refugee Youth Project, 2014 – 2018 Press Press Storefront + Library
2016 – 2020 Penthouse Gallery
2011 – 2016
Alloverstreet, 2013 – 2017
there / is / only / now (tomorrow is cancelled), Whitney ISP, 2024
how is speech a desire a hope a promise
Wagner Arts Gallery, 2024
Wagner Arts Gallery, 2024
there / is / only / now + neighbor histories library, Center for Art, Research, and Alliances, 2024
if we choose to reclaim ourselves from the ashes University of California, Los Angeles, 2022
how is speech a desire a hope a promise
Southern Exposure, 2021
Southern Exposure, 2021
Center Temporary Headquarters, Southern Exposure, 2021
You, Stranger, May I be your Kin? the Terms of my Death, in Perpetuity, Mandeville Art Gallery, 2023
Scaffolding / Becoming / Ungovernable / Autonomies, X-TRA, ICA LA, Printed Matter + Geffen Contemporary, August 2023
Poetry for Persistence
Press Press + Printed Matter, 2020
Press Press + Printed Matter, 2020
bless our breath, Gas Gallery, 2021
Invisible Power
, University of California, Los Angeles, 2019
Calling all Denizens: Resource Book
Women’s Studio Workshop, 2019
Women’s Studio Workshop, 2019
A Press Press Chronicle, Institute for Expanded Research, 2019
Calling all Denizens
Tufts University Art Galleries, 2019
Tufts University Art Galleries, 2019
Sanctuary is on the Horizon by Press Press,
Printed Matter NY Art Book Fair + MoMA PS1, 2018
Printed Matter NY Art Book Fair + MoMA PS1, 2018
Sanctuary is on the Horizon by Press Press
Tufts University Art Galleries, 2019
Tufts University Art Galleries, 2019
All Allegiance
Front/Space, 2017
Front/Space, 2017
Paradise Now
Penthouse Gallery, 2016
Penthouse Gallery, 2016
Visa Project (with Lian Tsai)
Penthouse Gallery, 2015
Penthouse Gallery, 2015
Baltimore Uprising Archive
Maryland Institute College of Art, 2015
Maryland Institute College of Art, 2015
Press Press Youth Program,
Baltimore City Community College Refugee Youth Project, 2014 – 2018
Baltimore City Community College Refugee Youth Project, 2014 – 2018
Press Press Storefront + Library
2016 – 2020
2016 – 2020
Penthouse Gallery
2011 – 2016
2011 – 2016
Alloverstreet, 2013 – 2017
writing / editing / publishing
Toolkit for Cooperative, Collective, & Collaborative Cultural Work, Press Press + Institute for Expanded Research, 2020
teaching
Virginia Commonwealth University;
2021 – 2023
Undisciplined and Perpetually Getting in the Way
Ungovernable Study: Research-Based Practices
MFA Thesis
Dis/Assembly Lab [co-developed with Asad Pervais]
Rebellious Publishing
Design as a Social Practice
Straining Letters into Noise
Ecosystems and Power
Landscapes of Belonging
Intro to Distributed Print
workshops
Center for Liberatory Practice & Poetry, 2021 – Present
Sanctuary is on the Horizon
Collective Work Skill Share: Making a Toolkit
Becoming Ungovernable: Tactics for Rebellious Publishing
Scaffolding Autonomies: Scores for Daily Rehearsal
Uses of Memory with Archive Liberia
Weaving our Values & Practices
Bless our Breath
about
practice
As an artist, publisher, facilitator, and writer, I cultivate poetic and material interventions into the banal, daily, and intimate operations of imperial fields of power. [1] Through various responsive forms, such as organizations, installations, texts, videos, programs and printed matter, I iterate methods and resources for scaffolding autonomous communities. Feminist, queer, anarchist, and abolitionist frameworks offer me a horizon, while my lived and familial traditions of migration, cultural displacement and legacies of exile offer me a ground. In surfacing that which statist politics suppress, my research stretches forward and backward in time to rewrite possibilities for life-sustaining practices in the present.
Emerging through the ethos of independent publishing, my projects often appropriate mass printing technologies, such as copy machines, risographs, and offset printers, as methods of organizing counterpublics through the distribution of printed and digital matter. The act of distribution, which unravels across space and through intimate networks of relationships, intervenes on and blurs boundaries of “public” and “private.” While emphasizing the intimacy of insurgent modes of address, I am invested in reconfiguring and disordering confines of “permissible” speech and “plausible” worlds.
The most meaningful sites of my work take place in daily encounters and events of life where intimacies, ruptures, and solidarities are nourished. In these contexts, I craft containers for shared study that foreground questions of belonging in legal, social, and psychological spheres. By gathering with those who diverge from normative linguistic traditions to reclaim speech on their/our own terms, I aim to transform language into a location of healing. Ultimately, my practice aims to engage continued and irresolvable attempts at accounting for recurrent moments of original violence. I regard these attempts, alongside the collectivities and contexts they act in concert with, as an unstable ground where other worlds could also grow.
bio
kimi malka hanauer (they, also Kimi Hanauer) is an artist, publisher, facilitator, and writer. kimi is a founding collective member of publishing initiative, Press Press (est. 2014), and steward of nomadic political education school, Center for Liberatory Practice & Poetry (est. 2021). In their practice, Kimi cultivates poetic and material interventions into the intimate operations of imperial fields of power.* Through various responsive forms, such as organizations, installations, texts, videos, programs and printed matter, they iterate methods and resources for scaffolding autonomous communities.
As an assistant professor at Pratt Institute’s Graduate and Undergraduate Communication Design Departments, kimi teaches courses in independent publishing, critical theory, writing, research-based and collective practices. Informed by anarchist and abolitionist frameworks, their work as a facilitator and educator aims to deepen our capacities for collective life-sustaining practices. Currently, they are a research faculty fellow with Pratt’s Center for Teaching and Learning.
kimi was a studio fellow at the Whitney Independent Study Program (’24), earned an MFA in Interdisciplinary Studio from the University of California, Los Angeles (’21), and a BFA in Interdisciplinary Sculpture and concentrated work in Printmaking from the Maryland Institute College of Art (’15). Kimi was born in Tel Aviv–Yafo, raised in Pittsburgh, and calls Baltimore home. They are a queer and neurodivergent diasporan; descendant of sephardi and ashkenazi Andalusian, Palestinian, and European Jews. They live in Brooklyn, NY on unceded Lenape Land.
kimi’s work is archived in the public collections of the Museum of Modern Art, the Brooklyn Museum, the Metropolitan Museum, the Whitney Museum of American Art, The San Francisco Museum of Modern Art, the Library of Congress, Yale University Library, George Peabody Library, John M. Flaxman Library at the School of the Art Institute of Chicago, Art Center College of Design Art Library, Virginia Commonwealth University Special Collections, among others.
kimi’s work has been exhibited at Westbeth Gallery (2024), the Mandeville Art Gallery at the University of California, San Diego (2023), Vox Populi (2023), the Sarofim School of Fine Arts Gallery at Southwestern University (2023), Lainer Family Gallery at the University of California, Los Angeles (2022), Southern Exposure (2021), Gas Gallery (2021), Printed Matter (2020), Counterpublic (2019), Tufts University Art Galleries (2019 + 2024), George Peabody Library (2019), ACRE Projects (2018), MoMA PS1 (2018), among others.
kimi has facilitated public programs at conferences and art institutions including the Allied Media Conference, UCLA Center for the Study of Women’s Thinking Gender Conference, Common Field Convening, Open Engagement, Art & Feminism, Contemporary Artist Books Conference, Printed Matter Art Book Fair, Center for Book Arts, Pioneer Works, Knockdown Center, Virtual Care Lab, X-TRA, Active Cultures, ICA Los Angeles, ICA at Virginia Commonwealth University, Center for Art, Research, and Alliances (CARA), the Geffen Contemporary at MOCA, among others. kimi has lectured widely at universities including at University of California Berkeley, Yale University, California College for the Arts, Rhode Island School of Design, American University, Ithaca College, School of the Art Institute of Chicago, Antioch University, Tufts University, Maryland Institute College of Art and was formerly an Assistant Professor at Virginia Commonwealth University.
They have been published by the Women’s Studio Workshop, GenderFail, Wendy’s Subway, Temporary Art Review, Arts of the Working Class, BmoreArt, MARCH, Thick Press, Institute for Expanded Research, and the Contemporary (Baltimore).
kimi is the recipient of grants and awards including the Artist Choice Award from Ruth Arts for Press Press (2024), the Lightening Fund Grant by the Andy Warhol Foundation and Los Angeles Contemporary Exhibitions (LACE) (2023), Virginia Commonwealth University Research Grant (2023), Louis Vidal Foundation (2021), the Robert W. Deutsch Foundation (2018), the Ruby’s Artist Grants (2017), the Grit Fund by the Andy Warhol Foundation and the Contemporary Museum (2016), the Fred Lazarus Social Change Award (2015), among others.